You’ve got a terrific idea…
…for a novel or nonfiction book, but you don’t have the time or energy to write it.
Many celebrities, politicians, and even regular folks hire professional writers like me to write their books. I’ve ghostwritten many novels, memoirs and narrative nonfiction books.
Before We Begin
- The story idea or overall concept is big enough for a book of a length required by the novel genre or nonfiction category.
- There’s a market for your planned book, and I can make it hit that market.
- I’m excited about the prospect of spending several hours a day on the book.
The Ghostwriting Process
Once we’re in agreement with the development work, I’ll start writing. Each week or so I’ll send you a draft of what I’ve written so you can see how it’s coming along. As the story takes shape, elements often emerge that weren’t obvious during the developmental stage. If I see opportunities to improve the story with a major change, I’ll clear that with you before I proceed.
The end result of these efforts will be a book manuscript in electronic form ready for submission to literary agents and publishers. I’ll also prepare a book proposal (a one-page query letter, a synopsis of two to four pages, an author’s bio, and a chapter-by-chapter outline), and I’ll compile a list of literary agents who will be right for your book. I’ll also guide you through the process of querying literary agents and publishers. I’ll be available by phone or email whenever you need further help during the publishing process.
Nonfiction books usually require more research than novels. One of my ghostwriting projects about the Vietnam war required quite a bit of research into several important battles as well as interviews with dozens of Vietnam veterans.
Ghostwriting fees can range from $25,000 to $100,000, depending on the nature and length of the story. I require 25 percent of the fee when we both sign the Confidentiality and Service Agreement, and the balance will be due over the three to six months required for the writing.
I guarantee confidentiality. You will be listed as the sole author of the book. My name will not appear on the publishing contract or the book cover. All copyright and financial rights to the book will be yours.
If ghostwriting may work for you, call me or send me an email and tell me about the kind of book you want to have written. I’ll also need to know if you’ve done any preliminary research or outlining, or if you’ve already done any of the writing. I’ll get back to you right away and let you know if it’s a project I can help you with. If my work schedule is too heavy, or if I feel that the type of book you want to write is outside my realm of experience or interest, I can probably refer you to another writer who can do it.
Bill Greenleaf is a consummate professional at his craft. He gives new meaning to meticulous when it comes to grammatical and syntactical correctness. Better yet, Bill’s many improvements to my latest book, How Now, Norm’s Tao, were not only insightful, but were consistent with my offbeat sense of humor and irreverent literary style. If you want your book to be the very best it can be, give Bill Greenleaf a call today.
Thank you so much for all of your work on this project. I can tell you spent a lot of time with my novel, and I greatly appreciate it. Your comments were thoughtful and detailed. They will give me a solid foundation to start from with this next rewrite. I will most certainly take you up on the offer to send it back for an additional review once I have finished reworking the character and plot issues.
You are my third editor, and I cannot help thinking if only I had found you back when. Most important to me, you understand what I am trying to do. Your critique is insightful, and I am grateful for your help.
Once again, your evaluation was terrific and will be invaluable in my repair of the manuscript. I believe The Last Rapier has commercial potential, but as I said earlier, I knew something wasn’t right about it. You have helped me see what those weaknesses are, and I can fix them. Thank you.
Any success I’ve had is due directly to your plot analysis, coaching, suggestions, and teaching this novice writer.
I must say a special thank-you for solving my three years of editing issues and problems. The manuscript looks great. I am very happy I took a chance on you. It was totally worth it. You have elevated my book, The Non-Silence of the Lamb, to another level. For that I am thankful.
Thank you so much, Bill. I found a wealth of information in your evaluation, and it was exactly what I needed. Your review was thorough and wide-ranging, covering high-level analysis (such as storyline), mid-level (such as perspective shifts and narration), and even some low-level feedback (down to grammar and writing style). I have to say that I was truly impressed with what you provided, and I cannot say that it lacked for anything.
Thank you so much for your honesty and ideas. I agree with everything you mentioned in your critique. God bless, Bill. I am so glad I found you in the vast sea of options. If I have any questions or need further insight, I will email. Merry Christmas, Bill. You have certainly given me the best present I could get this year!
The advice you gave me during and after the critique of my novel, Touched, has come full circle. You suggested narrowing it to a single viewpoint, simplifying its content, and shortening it to a middle-grade novel. Well, after reworking it several times trying to get it the way I wanted it, I’ve seen the light. I am working on a single-viewpoint version right now that I foresee being about 45,000 to 50,000 words. The language is greatly simplified, and is only from Nat’s viewpoint. I did get some helpful advice from the local writer’s group in my hometown, but nothing that propelled me forward like the information from you. Every day I put words into my story, I am seeing the wisdom in the pages from your critique, and I get closer to a better story.
Bill, being a first-time author, I was wary of shopping for a good editor. You’ve exceeded my expectations in every way, and I’m amazed at how much you’ve enhanced the flow, development, and clarity of my manuscript. The majority of readers who have read my novel even remark on how well written it is, thanks to you. How you managed to tie everything in together so that the story makes more sense is astounding to me. You’re like a literary sharpshooter! Most of all, the education I received from you is invaluable and worth every penny. But you’re not just an editor; you’re also an amazingly effective teacher, and I consider you a “personal trainer” for authors. You really held my hand through the whole process, motivating me and essentially teaching me the art of writing fiction. It has been a fantastic journey for me. The effective way in which you apply and tailor your teaching to the writer’s manuscript is genius! And the extensive feedback you provided at every avenue was always pertinent and to the point, helping me to learn from my mistakes. Now I’m confident that every new book I write will be better than the last. I feel incredibly fortunate to have had the opportunity to work with you on my first novel. I could never thank you enough!
Manuscript Critique………………………………………$22 per thousand words
My critique will show you how to turn your manuscript into a book with solid commercial value.
Manuscript Editing………………………………………..$40 – $50 per thousand words
I’ll correct the mechanical errors (spelling, grammar, punctuation, sentence structure, etc.) and I’ll polish the prose to improve clarity and narrative flow.
I’ll read your entire manuscript and give you an appraisal of its marketability, assess your book’s strengths and weaknesses, your writing skills and give you guidance about your publishing options.
Book Proposal……………………………………………….$950 and up
I’ll help you avoid the mistakes that can make the difference between sale and rejection.